(this blog follows on from the previous post, and will make more sense if you read that one first)
This being March 2nd, St Non’s day, its a good day to commemorate the mother of St. David (see previous post). Non was a daughter of Cynyr Ceinfarfog, a 5th century chieftain of Dyfed who’s lands were in the south-west of the kingdom. Her mother Anna is probably commemorated in St Ann’s Head not far to the west of Milford Haven. Through her mother, Non was a grand-daughter of Gwerthefyr the Blessed, named in the Welsh triads as a talismanic protector of Britain alongside Brân of the Mabinogi. Its not surprising that she is as mythologically profound as her son, the patron saint of Wales.
Her mother, Anna or Ann, was also made a saint, (as were many of her siblings) and both the names of the mother and daughter (Non and Ann could be variants of the same name) have led some to believe they are in fact Christainised versions of Ana, otherwise known as Danu in Ireland and Dôn in Wales. In Irish tradition, Non was also a mother to other female saints who went on to become mothers of saints themselves. There is an association with the divine mother in the Christian context, never mind the more pagan association with Ceridwen I discuss in the previous post. There is another example of a similar transformation with the goddess Brigit becoming, amongst other things, the Welsh Sant Ffraid.
To run with this a little, we have a mother who through her name may be associated with a divine mother, and a father associated with a folk hero that could well be derived from the old horned god (read previous post for the background to this). Both parents seem to have taken on divine attributes for the conception of this most important of Welsh religious leaders. This is all located in Dyfed, the setting of the first branch of the Mabinogi where Pwyll takes on the form and nature of Arawn, king of Annwfn, also a variant of the old hunting god, king of the otherworld. That first branch can be interpreted as describing the appropriate attitude required of a mortal chieftain when, having taken on the form of the king of the otherworld, is given the opportunity of taking advantage of the sovereign goddess of his kingdom. Pwyll’s appropriate response ensures him the love of Rhiannon, the goddess incarnate come to seek the man that showed her respect and treated her with honour.
Opposed to this we have Sandde, St. David’s father, going on a hunt associated with magical wonders (as did Pwyll), but in Sandde’s case he does the exact opposite of Pwyll and rapes St. Non. When Non comes to give birth to Dewi the very earth is split asunder with the terrible contractions she experiences. The elements appear to be in conflict: at Dewi’s birth a great storm blows about her, she splits rock and causes a spring to burst from the ground. Her nature and condition is reflected in the natural elements of the place, underlining her role as an expression of the land’s sovereignty.
There is also her position as a liminal figure. Non gives birth where land meets sea, as is Taliesin born in a similar position, in a fish weir on Borth beach, an in-between place. Also, in Rhygyfarch’s account of Dewi’s life, when Non is pregnant with Dewi:
The second miracle which David did was when his mother went to church to hear Saint Gildas preaching. When Gildas began to preach he was not able to go on; then he said “Go out all of you from the church” said he and he a second time attempted to preach but could not and then he enquired whether there were any one in the church besides himself. “I am here” said the nun between the door and the partition. “Go thou said the saint out of the church and request all the parish to come in.” And all of them came to the place and then the saint preached clearly and loud.
Then the parish asked him “Why couldst thou not preach to us a little while ago and we were anxious to hear thee.” “Call'” said the saint, “the nun to come in whom just now I sent from the church.” “Here I am,” said Nonn. Then said Gildas “The child that is in the womb of this nun has more property and grace and dignity than I have; for God has himself given to him the privilege and supreme authority over all the saints of Wales for ever both before the day of judgment and afterwards. And therefore” said he, “there is no way for me to remain here any longer on account of the child of that nun to whom the Lord hath given supreme government over all the people of this island . . .
Notice that Non is again in a liminal place, “between the door and the partition.” This could imply her being at once in this world and also in that deeper, more powerful realm of the spirit where she is a goddess of sovereignty. Again there is that idea of two in one, of both places – the mundane and supernatural – containing the same nature, and of both figures – the mortal and the divine – containing the same person.
Cyfarchion yr ŵyl.
The 1st of March is as good a day as any to consider Dewi Sant, ‘Y Dyfrwr’, known beyond Wales as St. David, ‘The Waterman’. Apparently born around the turn of the 6th century, as a historical figure he is possibly older than Taliesin by a generation or two, and is arguably the better known. But in the mythological sphere at least, both St. David and Taliesin appear to share a similar parentage. It may be surprising initially to count St. David in the mythological category, yet all that we know of him has been passed onto us through the medium of legend and lore. Even his official biographer, Rhygyfarch, reported his life as legend in stylised, myth-laden prose. Interestingly enough, this 11th century priest of St. David’s Cathedral was such a good storyteller that notable Celtic scholars have proposed him as the possible author of The Four Branches of the Mabinogi.
Rhygyfarch’s Buchedd Dewi identifies the saint as belonging to that particular fraternity of magical infants occasionally born to the Welsh imagination, Taliesin being the other obvious example. According to Rhygyfarch, before Dewi Sant was born, his father was told by an angel to collect three things while out hunting in an area close to the river Tywi, those being a stag, a salmon and a swarm of bees (Lives of the Cambro British Saints, 403). This is comparable to the transformations of Gwion Bach through hare, salmon and bird, this time in the domain of that other great Welsh river, the Dyfi. In both accounts, the similarity of the animal triads suggests that the evoking of earth, water and air is a precursor to the incarnation of a spiritually potent soul. As is common throughout medieval European literature, the Welsh bards also referred to fundamental elements (usually fire, earth, air and water) as the material constituents of every individual.
We can go deeper again with this association between Dewi and Taliesin, as Dewi’s father in Rhygyfarch’s account was none other than Sandde, a king of Ceredigion, the northern part of which is connected with the legendary Taliesin. Sandde is mentioned in both Culhwch ac Olwen and in The Twenty Four Knights of Arthur’s Court (Appendix IV of Bromwich’s Trioedd). In both texts he is named as Sandde Bryd Angel (‘angel-face’) and in both texts twinned with Morfran son of Tegid, as in the following quote from Culhwch ac Olwen:
. . . and Morfran son of Tegid, (no man planted his weapon in him at Camlan because of his ugliness. Everyone thought he was a devil helping. He had hair on him like a stag). And Sandde Angel Face, (no man planted his spear in him at Camlan because of his beauty. Everyone thought he was an angel helping).
This Morfran, as well as being Sandde’s twin, is of course Morfran son of Ceridwen, that cauldron-bearing enchantress who was also the unexpected mother of Taliesin. In this respect Taliesin would be a half brother to Morfran son of Tegid who is the mythological twin of Sandde, Dewi’s father. Such are the deeply knotted roots of the Welsh mythological pantheon.
Both preceded by animals with an elemental significance, both born in liminal places where the land meets the sea, Dewi and Taliesin are born to mothers who also may share similar circumstances. According to Rhygyfarch’s account of Dewi Sant’s conception, after finding the triad of symbolic animals during his hunt in the Tywi region, Sandde came across a nun called Non and through blind lust raped her, the result of which was David. Although in the medieval rendering of Taliesin’s tale its the female that hunts the male, its Gwion Bach who seeds Ceridwen’s womb, suggesting his role as Taliesin’s symbolic father. Gwion Bach could in some respects be considered Morfran’s twin, the latter being cheated of the three drops of wisdom when Gwion Bach took his place before the cauldron of inspiration.
Both Non and Ceridwen are made pregnant by two males, both of which are symbolic twins of the same Morfran son of Tegid. Anne Ross has already noted that Morfran son of Tegid, horned like a devil and covered in stag hair, is an echo of the earlier horned god (Pagan Celtic Britain, 190), a British equivalent of Cernunnos. Another example of this twinning is found in the first branch of the Mabinogi, when Pwyll becomes Arawn’s twin before entering Annwfn, Arawn being another variant of the old hunter, as is Gwyn ap Nudd and various other characters from Welsh myth.
The similarities between the birth of Dewi Sant and Taliesin reveal the signs by which the Welsh may have traditionally identified their spiritual leaders, at least in symbolic or mythological terms. Its a well attested fact that the early Christian church adopted many symbols and motifs from the earlier non-Christian beliefs of Western Europe, and it would not be unreasonable to assume that the native mythology concerning the incarnation of a spiritual leader continued as the dominant tradition into the early Christian period. Perhaps in Dewi’s time such a native mythological context would have seemed a natural one to adopt, simply part of the cultural furniture that was at hand. It is fitting for the birth of Dewi Sant, chief of all British saints, to be accompanied by the same magic as that of Taliesin, chief of all bards.
This audio clip is from a Symbolic Keys Skype session alongside an excerpt from the course notes. It covers an initial interpretation of the Cernunos ‘Lord of Animals’ symbol from the Gundestrup Cauldron. This older Celtic symbol is a forerunner to some of the symbols found in the Mabinogi.